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Clotilde (opera) : ウィキペディア英語版
Clotilde (opera)

''Clotilde'' is an opera (melodramma semiserio) in two acts by Carlo Coccia. The Italian-language libretto was by Gaetano Rossi. It premiered on 8 June 1815 at Teatro San Benedetto, Venice.
''Clotilde'' was especially appreciated for the usage of the chorus. A contemporaneous Italian writer wrote: "Nobody after Mayer has understood how a composer can take advantage of a sensible usage of the chorus. Coccia did it in this opera, avoiding those screams heard too often before".〔''Coccia Carlo'', in Carlo Antonio de Rosa di Villarosa, ''(Memorie dei compositori di musica del regno di Napoli: raccolte dal marchese di Villarosa )'' (in Italian), Stamperia reale, Naples, 1840, pp. 50-52 ("Poiché dopo Mayer niuno avea compreso il modo che un Compositore può trarre in teatro dal ragionato uso de' cori, egli l'introdusse nell'indicato dramma, eliminando quei gridi che prima si udivano")〕 Francesco Regli in its ''Dizionario biografico'' stated: "With ''Clotilde'' Coccia taught how a chorus has to be written".〔''Coccia Cav. Carlo'', in Francesco Regli, ''(Dizionario biografico dei più celebri poeti ed artisti melodrammatici )'' (in Italian), E. Dalmazzo, Turin, 1860, pp. 132-133 ("Colla ''Clotilde'' insegnò come si scrivessero i cori")〕
''Clotilde'' was performed also in Paris in 1821, but it was unsuccessful.〔''Coccia Carlo'', in Giovanni Masutto ''(I maestri di musica italiani del secolo XIX )'' (in Italian), Stab. Tipografico di Gio. Cecchini, Venice, 1882, pp. 45-46〕
In modern times, this opera was revived for the first time at the Teatro Coccia in Novara, on 7 November 2003. This production was recorded and published on CD. In his review of the Novara performance,〔 produced making use of different versions of the opera, the Italian music critic Giangiorgio Satragni noted "the resounding of features of Rossini's style" and emphasized, among the pieces of the opera, Emerico's cavatina ''Soave all'anima'' and Clotilde's aria ''Deh! Tu guida'', but judged the work on the whole as "implacable nineteenth-century operatic routine".
==Roles==


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